Religion has always been a source of material in art. Religion is also the mother of art, and this week’s article shows the relationship between religion and art along with examples. The combination of religion and art has more meaning. Spiritual meaning or painting a portrait for the viewer to see, or what he himself feels. Artists representing God are supernatural interpretations of beings who depict creatures with human nature. The most obvious religious form of art is the portrayal of God, and then there are the statues of Christ in paintings depicting life episodes or etc. Religion and faith play a large role in the body. Images of the body have always been used to express faith and spirituality. Not only in painting, architecture, theater and dance, but also in stories and rituals. The body is a spiritual sanctuary for many religions and beliefs. For all artists, the body is not always presented as an image of God. To express this, many artists have demonstrated their knowledge and perspective on how the body has been represented in history and society. Icons, sculptures, gods, demons, religious figures, etc. All have played a role in expressing religious and artistic beliefs. Religion gives paintings a reverence along with some mystical overtones. I really like the example in this chapter: Francis. Bacon. In 1952 Bacon painted a series of portraits of the pope after the Spanish painter Velazquez’s Portrait of Pope Innocent X, in which the cardinal is concealed behind a translucent curtain, a figure seated in a wide space but indistinctly, as if blocked by the curtain, with an expression that usually consists of a scream or yawn with his mouth wide open. These variants extend the work of Velazquez, which he began borrowing in 1949, a theme that would recur in his later works. Bacon’s deliberate concealment of the series of papal figures in the curtain may be meant to give the viewer a sense of the agitated, fearful state of the figures behind the curtain.