REFERENCE 

TRACEY. Introduction. Drawing Now: Between the Lines of Contemporary Art. I. B. Tauris & Co. Ltd., 2007, pp. ix-xii.

Playing with Appearance, The Thought of Drawing, Hypothesis of Sight

PURPOSE

To introduce and briefly describe what the contents and purpose of Drawing Now: Between the Lines of Contemporary Art are.

THESIS

Figure reveals the composition of activities that reach the limits of painting, while still adhering to the traditional basis of the definition of painting

SUMMARY

To oscillate between seeing, thinking, remembering, and imagining the work of painting in order to abolish the principle of control, control, and control as representation, but it can never be achieved, the opposite image appears in this article for three parts: “play with appearance”, “the idea of painting” and “visual hypothesis”. The work represented is conceptual and critical.

CONNECTION

It shows the relationship between reason and intuition, between the processes of sensory perception, interpretation and comprehension. It also shows you how to feel, how to paint.

QUESTION

In addition to the use of some basic painting supplies, whether to get around the objects to paint, to experiment, to express emotions beyond the five senses?

IMPLICATION

The invisibility of memory in drawing the effects of “reduction” makes what is considered thought and concept, makes it beyond what is, makes it visible what is not. Memory depends on the process by which it is made, the process by which it organizes what it perceives, the performance of which it perceives. It saves the repeated interruption of gaze and appearance play and appearance play when the eyelids twitch; it swings between seeing, thinking, remembering, and imagining a painting, the principle of control, control, and being controlled with the abolition as a representation, but it can never be achieved, the opposite image appears